Friday, March 12, 2010

Film #16: Phantasm (1979)

Life is relentlessly confusing.
As with the final season of Lost, we must ask Life: Will it divulge any secrets before we become planted petunias?
Why do bad things happen to good people?
Is the point of this all to work, or to play?
Corn looks the same coming out as it does going in? What’s up with that?!
As perplexing as these life questions may be, they pale in comparison to the conundrum that is the this week's movie: “Phantasm.”

We’d have a better shot answering any of the above questions than describing just what Phantasm is about. But here goes…

Mike Pearson is a hard-ass 13-year-old who likes Mustangs, shotguns and watching his brother have sex. Brothers are all Mikey has after his parents died in a car wreck, and his bad luck continues after the oldest brother mysteriously “kills himself.” Second oldest Pearson brother Jody tells Mike to save his tears and skip the funeral. But this kid doesn’t take no for an answer, and decides instead to spy on the proceedings with his binoculars.

After the mourners leave, Mike sees a gigantor funeral director put his brother’s coffin not in the ground, but back in the hearse. Seems this “Tall Man” has other plans for the body back in the mansion-like, creepy funeral home. Remember, it isn't rape if the person is dead.

Determined to get to the bottom of this weirdness, Mike and soon Jody enter the funeral parlor and discover the Tall Man has a spacey secret, as well as an alien arsenal of weapons to protect his outfit.
The Tall Man has been taking bodies, like Mike’s brother and parents, and turning them into murderous miniature midgets that like to use teeth!

Soon the brothers' creepy ice cream man friend gets involved in the Tall Man takedown, and the men struggle to ensure no more townsfolk will be turned into murderous shrunken alien slaves (?). Things degrade into a battle between late 70s feathered hair, ball shaped head drills and ooze filled aliens in the 1979 weirdness “Phantasm.”




RDHP Ratings and Reviews:

C-Rating: 1.3
Chris Dimick reveals:
“Weird movies usually enthrall me. There is nothing better than a film ending and going “What was that!? What happened?!” But Phantasm is no Stanley Kubrick picture. Its weirdness comes not from the brain, but from another body cavity located a few feet below.

This movie makes absolutely no sense. The incoherent plot is never fully realized, and the audience never really understands what is going on right up until the ambiguous and unfeeling ending. Random characters appear throughout the movie without back-story. The characters behavior in certain situations is completely unrealistic. One minute a guy is dead, then he is alive with flimsy explanation. Is this a movie about magic, alien invasion, psychopathic murder, or all of the above? The movie never really lands on one topic, but just kind of throws everything at the screen and hope something sticks with the viewer.

Everything was just so random. One minute a topless hoochie is stabbing a fella in a cemetery. The next an alien man is sending metallic death orbs flying around a mausoleum. Then there are the shotgun laden action scenes on the country road. Don’t even get me started about the abandoned well at the end. RANDOM!

This film is a great example of why filmmakers should employ the opinions of those around them when making a movie. One man, Don Coscarelli, did practically everything on Phantasm. He was the director, producer, writer, cinematographer and editor on the film. When you do it all yourself, you have no one to tell you how much it sucks. And this sucks, bad. It was an original idea, just poorly executed.

Sadly, I think we are alone in our view on this one though. Not only did this movie -- made for $300,000 -- pull in nearly $12 million at the box office in 1979, but it spawned four sequels. Am I missing something here? Really, four sequels. All those sequels must have been used to explain what happened in the original movie.

Even though I bash, I am glad I saw this one. It was just so crazy, I couldn’t stop watching. I just couldn’t wait to see what inane plot twist would come next. And now that I think about it, leaving the audience with no rhyme or reason as to who the Tall Man was or why he was doing what he was doing is actually an interesting attribute of Phantasm.

The characters had no idea what was going on, exactly, in that funeral home, even by the end. They just lumbered through the drama, doing the best they could. Such is life, really. We don’t always have the answers to things that are profoundly affecting our lives.
Maybe Phantasm got it right, and made a social commentary on our very existence. Maybe? Maybe!”



N-Rating: 1.6
Nick Rich reveals:
"My rating system in this instance is much like this movie - there's no rhyme or reason to it. As I wandered through the thick San Diegan night in the subsequent hours after this film (with psychedelic organ music blaring in my head), I thought to myself "What am I going to rate this one?" and for some reason from the depths of my mind "1.6" emerged. I knew I had to rate it poorly as it was so incoherent... but to be honest, given the caliber of films we've watched here at the RDHP, I felt a bit out of my depth when faced with the daunting prospect of doling out such a low rating.

I mean, this film will be the benchmark of what a bad film must measure up to for the duration of the RDHP - high standards indeed! Speaking of bad... 1970's, what's your deal, man?!? First you give us Let's Scare Jessica To Death, now THIS?!?! I'm beginning to lose my horror faith in the era of feathered-hair-tight-pants-wearing-cocaine-sniffing-gold-chain-a-dangling-hairy-chest-a-shaking-boogie-oogie-oogie-ness! Apparently, the 70's left its horror heart in its LSD-laced silk boxer briefs...

Back to why I gave this film a 1.6 - sorry if my review seems disjointed, I'm just trying to give you a feel for what it was like to - as bad as this film was, I did derive some enjoyment from precisely how bad it was. Within the first five minutes I apologized to Chris for already starting to berate the film ala MST3K (to which Chris promptly replied "let's give it a chance"), but it just lent itself to mockery so easily. The acting was bad, the music cheesily pervasive, the situations non-nonsensical (seriously, what was with the psychic grandmother and the hand-eating box?), the outfits groovy, and the plot was, well, nonexistent... all of which makes a film best viewed with a healthy dose of heckling.


The Skinny: Watch this film if you need to discern whether or not you are schizophrenic - if it makes perfect sense to you I would highly suggest setting aside some time this weekend to look for a good head doctor!



Quote of the Viewing:
[As the end credits roll, a list of five “grips” appears in the scroll]
Nick: That sure is a lot of grips.
Chris: They must have been there to try and hold onto the plot. But it just kept slipping away.



Things We Learned from Watching Phantasm:
-Never have sex in a cemetery. It always ends badly.
-Jody Pearson doesn’t “get off on funerals”
-Really good guitar jam sessions can be “as hot as love.”
-Severed fingers make great souvenirs of an alien attack
-Watching your brother have casual sex is fine if you are bored
-“That retarded kid Timmy up the street” can easily be confused with a murderous alien
-Don’t aim a gun at someone unless you are going to shoot them. And don’t shoot someone unless you are going to kill him. No warning shots!
-You can MacGyver a shotgun cartridge, scotch tape and a thumb tack to explode open a jammed door



Chris Explains “The Wife Factor”:


It never fails. Every time Nick and I are watching a horror movie that unbeknownst to us contains some sort of nudity or strange sexual situation, one or both of our wives will walk into the room and look at the screen. This magical little F-U from the gods is something I like to call, “The Wife Factor.”

Horror movies are graphic. Many of them – especially post-1965 films – have gratuitous nudity and sex interlaced throughout the picture. Not all horror movies we watch have X-rated action, but when it does, you can bet one of our wives will walk in at that specific moment.

This was the case with Phantasm. Now, we are all adults here. The human body is a beautiful thing, and personally I have no objection to some nudity and sex sprinkled throughout my horror movies. Let’s face it… everyone likes sex. Even your mom likes sex. If she didn’t, you wouldn’t be sitting in front of your computer screen.

Bottom line, I’m not offended when a horror movie delivers a glance of some gazongas or sexy-time during the regular course of its story. But dammit if it never fails that one of our wives will walk in the room at the exact moment of that sex act or nudity. The timing it outright bizarre.

A majority of the time our wives don’t notice the “action” on screen. But sometimes we might get a disapproving look or a conspicuous “What are you watching?” Really, they don’t have to say anything at all, because just their walking in the room at that moment and looking at the screen makes us feel uncomfortable and even a little guilty.
“Bare breasts that aren’t my wife’s! I should be ashamed! I’m such a pervert!” is a thought that courses through the brain at that instant.

I know I’m a grown man and can damn well watch a movie that has sex and knockers in it if I please. Also, I don’t know for sure, but I’m prone to think my wife really doesn’t care if a horror movie I’m watching has buxom sluts going wild on screen. She’s cool like that.
But that doesn’t stop me from feeling uncomfortable when the wife walks in and two electronic jugs are bouncing in my face.

It is the same feeling you get when watching a movie with your parents, and suddenly the seemingly PG- rated movie takes an R-rated turn down T-and-A Alley. Nothing is worse than watching your mom squirm in her seat next to you as two starlets do the horizontal mambo.
You think, “Should I watch this in silence?” “Should I make a comment?” “How long is this scene going to last!” “Oh dear lord I hope there is a razor blade under this chair cushion.” “Make it stop!”
What should have been a silly, erotic mental adventure suddenly turns into a federal prison mind rape.

If your mate was watching the movie the whole time, and saw the naughty scene in context of the film, there would be no problem. It’d be an opportunity for a laugh. But just their walking in at that one moment, out of context… one feels like they are being caught watching something they shouldn’t.

For the record, I’m not mad at our wives’ reactions when they walk in and some horror movie vixen is ripping off her chest-baskets. Can you blame them? Every time they witness the RDHP it is during the usually ONE scene in the movie where naked people are getting busy.

From their point of view, all Nick and I watch is sex filled scream fests. “Maybe they should change the name to the Rich-Dimick Porno Project,” they might as well think.
This should set things straight, once and for all. Molly and Melissa, I promise you Nick and I do not purposefully select sex-filled horror movies for the RDHP. Nor are we watching porno via the Internet every Tuesday night.

We do THAT on Thursdays.



Nick Explains Chris Explaining “The Wife Factor”:

Did Chris just say "gazongas?"


RDHP Celebrates Randomness:
Phantasm was one of the most random movies the RDHP has ever seen. To celebrate, we offer some of our unconnected random thoughts… just like Phantasm’s plot!

Xylophones:
Why doesn’t this word start with a Z?

The Doors – Love Me Two Times
By Chris Dimick
I heard this song on the radio this morning, and it just really hit the spot. Sure, I’d heard it a 100 times before, but this morning that little ditty bounced around my head like I was hearing for the first time. You ever have that happen to you? You just hear the right song, at the right moment, and you realize just how great it is. Something connected, and it felt beautiful. Not only that, hearing Love Me Two Times this morning reminded me why we have music in our lives.



Pickling
Who came up with this practice and why does it make things taste so good? In principle pickling predominately pertains purposefully towards saturating things that aren't so good (i.e. cucumbers) so they become awesome (i.e. pickles); but what would happen if you ate something that was awesome before it was pickled???


Lasagna
Just looking at this makes us hungry. Garfield had it right, there is no better food on the planet.


Ed Wood
If you have never seen this Tim Burton/Johnny Depp collaboration from the mid-90s, drop everything right now and go rent it. Seriously… put down that knitting set or sex whip or whatever freaky thing you are into these days. Get out there and see it. The best docu-drama you will ever see about a film maker. Plus, with Jeffrey Jones, Bill Murray and others in the line up you can't go wrong. I’ll give you a dollar if you don’t laugh or cry once during the movie.


Rolling Stops
Seriously, is there any other kind?



Spring B.O. Haiku!
by Chris Dimick
I had my first hot weather induced face-full of armpit BO
this evening on a Chicago Bus.
Ahhhh, the smells of spring are in the air!
finally


(We were scared. Scared the run time was longer than listed.)

Thursday, March 4, 2010

Film #15: Cat People (1942)

Cougars are all the same.
They troll back alleys and other filth holes where young men lounge, rubbing up on the first tight leg they can find. A slinky “meow” here and a long stretch there, and soon that cougar is running the poor sucker's life. When the mood strikes the cougar, it will show some affection, curling up around the lap of its cub. But usually it just parades around the house hissing orders for Friskies Fine Cuts and pissing on the carpet.

She’ll soon get bored, and then things get ugly. When the last drop of soul is sucked from the poor boy's mouth, the cougar will quickly devour her cub in one fell gulp, spitting the tender bones aside into a pile of divorce papers. Then it’s back to the alley in search of another supple cub, the taste of the last still on her vicious tongue.
OH DEMI! WHY DID YOU LEAVE ME!

Correction, most cougars are all the same. Irena, lead in the 1942 movie Cat People, is a very tragic exception. First off, she is the rare young cougar, and thoroughly despises her fate.
An Eastern European import, Irena came to America to escape the old country and its demons. Friendless, Irena spends her days sketching a panther at her local zoo. But with a fetching puss, it isn’t long before litter Nazi and single man Oliver Reed takes notice.

After berating Irena for throwing her sketches on the ground, the two become fast friends, and even faster newlyweds. Oliver is so hot in the pants to get married that he doesn’t even flinch when Irena starts talking about how she comes from an evil Serbian village, where witches had cast spells turning humans into vicious beasts.
Irena believes that inside her lurks a cougar, and all it takes is one kiss to transform her from stylistic 1940s sex kitten into a killer cat!

Oliver is obviously a dumbass: it is one thing to marry someone who is utterly cat-shit bonkers, but to not even be able to kiss her without being killed for it – after the I-do’s? Crazy and no touches? Sure, sign that marriage certificate buddy, ya jackass.
Things get complicated when Oliver starts to fall for “modern” woman Alice, a slut who works at his office. Ladies in the workplace!? Stogy white men baring cigars and brandy tried to warn these problems would occur.

At first Alice and Oliver were just friends too, but Irena suspects Alice is trying to steal her man from the start and demands she stay away. I’ve heard of being catty, but geez Louise!
Irena learns of their eventual affair, and is sent into a rage. But will she turn into a blood-thirsty kitty and tear them to pieces, or just get shipped off to the nut-house to sit in her own cat-mess?
Watch the cat-fight unfold in the 1942 prowler “The Cat People.”



RDHP Ratings and Reviews:

C-Rating: 2.7
Chris Dimick catcalls:
“Cat People made me purr. (Oh, how I love horrible puns.) But only that low kind of inside purr cats dish out when they are pissed at their masters, but can’t help feeling the jive of those hand strokes. Let’s face it, this flick was pretty ridiculous.

Movie, I have a few questions for you. Who the hell can “fall in love” with a woman after having a brief conversation about zoo animals? I know it is 1942 and every health guy was a mere Uncle Sam call away from having his giblets shot off by a ‘Kraut sniper, but one might want to actually date a lady for at least a day before “falling in love.” Also, what kind of dope asks a woman to marry him after two dates, one of which involved going to a pet shop where the animals completely go ape-shit at the sight of your beloved? And finally, what man would marry a woman who tells him upfront that she will uncontrollability and viciously murder him if they ever happen to kiss. Looks like someone was interested in growing a beard on his wedding day.

Fortunately, these plot-holes were patched with concrete directing and great use of shadow and lighting.
Cat People was filmed during World War II, and money was tight for producer Val Lewton. To combat this, most scenes that involved any sort of special effect were instead shot in the shadows, which greatly enhanced the suspense and imagination of the viewer trying to figure out if Irena is indeed a cat, or just a crazy kitty. Cat People is the first of several Val Lewton wartime movies to gain acclaim for their small budget and big impact.

While the plot alone is lame enough to leave you cat-atonic (yes!), the quick pace of the flick keeps the audience enticed. As do the ladies garments! As many know, Nick and I are supreme fashionistas, and just adore critiquing ladies modern-wear. Bryant Park is my second favorite place on earth, behind the shoe department at Nordstrom’s. Seriously world, I’d take a buttoned up 1940s era dress any day over a Victoria’s Secret panties of the month when it comes to sexy coverings. This film didn’t disappoint in its fashion, which had huge ladies hats, staunchly, tight ladies dresses, and even a naked shoulder scene that gave us a case of Cat Scratch Fever.

Women and men knew how to dress in the 1940s, at least in the movies. This film gets a 2.7 for the hot women’s dresses alone. Meow!"


N-Rating: 2.8
Nich Rich catcalls:
"This film had moxy! It was simple, fun and interesting enough to keep me distracted from wanting more from it than it had to give (which in my book is a plus) - AND it has a statue of a man on horseback skewering a cat with his sword!!!

What more could you ask for in a film? Plot you say? Well, yes I suppose one might get wrapped up in those details if they weren't distrac-ooo, did I mention all the pretty clothes? The ladies were always dressed to the nines and the fellas always looked amazingly dapper! Seriously, this movie made you want to live in the 1940's... well, except for that whole World War II incident... and the lower life expectancy... and the blatant racism... and the lack of Jimmy Johns, but you catch my meaning. I mean, who wouldn't want to live in a time where catch phrases actually make you look cool and you can smoke 'healthy' cigarettes in literally any situation!

The sleepwear was breathtaking and made me wish I could unearth a 1940's bathrobe like the one Irena had for my lovely bride (it made me want hunt down whoever invented sleep-pants and smack them firmly across the cheek). I doubt the robe was authentic, but it was so awesome it transcended my normal authenticity guidelines (no easy feat). Also, the hats (the best of which looked like a giant clam!) sprinkled throughout the film made me want to bat at the screen like a kitten on catnip!

This film was by no means scary, but was straight-up enjoyable to watch - there was always something to chuckle at or ogle. I highly recommend it for those who can't get enough of everything 1940's.
The Skinny: catch this flick if you feel like hosting a MST3K party at your house or if you have to cram for a fashion exam the next morning!"



Cat People Movie Trivia:
-Original trade reviews appeared Friday the 13, November 1942.
-The film was in theaters for so long that critics who had originally bashed the film were able to see it again and many rewrote their reviews with a more positive spin.
-Fifteen panthers were killed and eaten by the cast during the course of filming.
-When "The Cat Woman" (played, uncredited, by Elizabeth Russell) speaks to Irena in Serbian and calls her "my sister", but Russell's dialog is dubbed by Simone Simon, who played Irena.
-The zoo panther shown in the opening scene was later diagnosed with the first case of feline AIDS.
-The panther was Adolph Hitler’s favorite animal. In fact, he had the animal tattooed on his plum pouch.

RDHP presents: The Feline Hall of Fame
Below are some frisky critters the RDHP just can't get enough of.

Heathcliff
(Who doesn't love the poor kid's Garfield)



Cat Stevens
(Oh what a crazy terrorist cat, man!)



Pussy Cat Dolls
(These felines were much better seen and not heard)

Plastic surgery Cat Woman
(Serves you right, you vain psycho!)


Felix the Cat
(Yeah, we've never seen one of his cartoons either)



Tiger Man
(If only our wives would get this procedure)


Mc Skat Kat
(Lets hope he doesn't stay true to his name)


Kitty Pyrde
(Not only the youngest X-man, but she finally said what we were all thinking)


John Mayer
(Oh, we're sorry, he's a pussy, not a cat)



RDHP Examine "Cougars"
What is up with all of these old, crusty women shacking up with young cats? We just don't get it. Check out all these predatory cougars hitting the town with whittle baby cubbies:

Mariah Carey/Nick Cannon
(Just because you date a 20-year-old doesn’t mean you can dress like a 20-year-old)

Demi Moore/Ashton Kutcher
(Demi uses the time out corner when Ashton won’t put down his Twitter and come to the table for supper)

Laura Bush/George Bush
(One’s a grown woman, the other has the mental capacities of a 12-year-old)

Kathy Griffin and Levi Johnston
(Some individuals will do anything for fame. Others will do it together)

Madonna and Jesus Luz
(Every year her boyfriends just get younger and younger. What a peder-ass!)

Things the RDHP Learned from Watching Cat People:
-If attacked by a cougar, swim to the center of the nearest swimming pool. Cats hate water
-Office sluts were just as slutty in 1942
-“You crazy kid” is 1940s slang for “You stupid beyotch”
-Cats can sense who is “not right”
-Chicks dig lion roars, it reminds them of sea shell sounds
-Don’t ever marry a woman who won’t kiss you
-When in immanent danger, don't forget to turn off the drafting tables before fleeing
-Keeping a kitten in a shoebox is totally humane if you punch holes in the lid

Random Corner:
Hey, they got cat class, and they got cat style. They also get their dinner from a garbage can... somehow we feel that line is especially true today.



Thursday, February 25, 2010

Film #14: The Gate (1987)

A giant hole in Glen’s backyard has blown open and started erupting chunky demons and liquid black plumes of pure evil.
No, I’m not describing his morning bathroom visit after a night of Taco Bell, whiskey shots and ill-advised 4 a.m. ice cream.
This demon hole out-back of Glen’s house in 80s movie “The Gate” was caused not by partying but by that scourge of the 1980s parent…curiosity and heavy metal music!
(“Damn kids and their devil music! Opening up portals and summoning demons and what-not and… ahhhhh, hell, I’m taking a nap. ZZZZ.zzz.Zzzzz.)

Glen is just your typical foul-mouthed 80s era 10-year-old. He loves NASA, model rockets, and pissing off his older sister Al’s teenage friends. He even has a rockin’ tree house in his backyard (Lucky!), but one day a storm rolls through and just crushes the hell out of it (Ha-ha!).
After half-price Mexicans remove the singed tree stump on the cheap, Glen and best bud Terry discover that below the former tree lies a mysterious hole. And what else do you do with a dark hole? You explore it, and explore it deep!

The friends find radically rare rocks in the hole, but after busting one open strange happenings begin to occur. It doesn’t help when Terry begins reciting lyrics from his heavy metal albums, one of which just so happens to be based on an ancient book of evil that if read aloud can summon dark overlords to overtake the earth (isn’t that the basis for Scientology?)

Soon evil spirits and crazy stop-motion beasts are pouring out of that backyard crevasse. It’s not a hole at all, but a gateway to the hideous, power-hungry underworld! With Al and Glen’s parents out of town, it is up to the kiddies to save mankind from hell-level destruction in the 1987 kid-thriller “The Gate.”



RDHP Ratings and Reviews

C-Rating: 2.9 out of 5.0
Chris Dimick summons:
“Satan Bless the 80s. What a magical decade for horror, and to be a child. Watching The Gate is like stepping into a Hyper-color time-machine. From the second we pressed play, I felt like I was 8-years-old again – as I was in 1987 – playing hackie sack with my brothers and getting four-inch cuts from my slap-bracelets. If anything, Gen Xers, watch this one not for the scares, but for the serenity of time gone by.
But you gotta love 1980s horror movies for more than just the nostalgia. They were just so innovative, imaginative, and willing to break a few eggs to make that dead fetus omelet.

Horror movies today are just so PC, especially “scary” movies made with a younger audience in mind. The Gate was essentially made for ‘tweens, kids really, yet the content at times is radically hardcore by today's kid-flick standards. One example: Glenn actually watches his father’s face melt off into a puddle as old Dad tries to strangle him to death. What?! This is for kids!

Of course it is for kids, kids love that stuff! Kids that age don’t need to be sheltered. In fact, most of them have seen or heard enough horrors in middle school alone that would make any adult poo their shoe. The 1980s horror movie understood this, and treated their young audience with respect. The movies didn’t pull any punches – because life doesn’t pull any punches. They showed kids how they really were (swear-word spewing a-holes) and didn’t mind if they gave you nightmares following the flick. Actually, that IS the point of a horror movie, isn’t it?! Somehow we have lost our way in the modern age.

Don’t be fooled by my 2.9 rating. It may seem low, but it is just in comparison to all of the other great movies we have watched as part of the RDHP. As a rabid fan of 1980s horror, The Gate had it all: whinny teens with gnarly period clothing; stop motion face-melting; cute yet crazy wicked demons; realistic kids; commentary that heavy metal is actually devil metal.

Best of all, The Gate had an original story that can captivate the kid inside all of us – there is nothing cooler than thinking a wild adventure lurks right in your own backyard. Actually, I believe the latter is an old Boystown pickup line. Hey, to each his own!"

N-Rating: 2.7 out of 5.0
Nick Rich summons:
“Now this movie is just good clean fun; and by 'good' I mean 80s-licious and by 'clean' I mean true to the spirit of that time period. I really enjoyed growing up as a child in the 1980's: there was action, adventure and people just seemed more chill (maybe the constant threat of nuclear annihilation is good for a society - who knew???). The Gate just screamed the 80s - seriously, there were like 15 scenes where pre-pubescent boys were screaming their confused vocal chords off... and I loved every crackling minute of it!

This film was by no means great (I did give it a 2.7 after all). It didn't pioneer any special effects or thrill us with a story that was entirely original, but it did rock the full arsenal of effects available at the time and what the story lacked in basic originality it more than made up for in creative execution. I found myself marveling at the level of effects employed in such a low-key film; it had it all: stop motion, Claymation, animation and latex creature moldings! Say what you will about non-CGI effects, but what they lack in clarity they make up for in texture (you could feel the skin of the big daddy demon at the end of the film - he was amazing!).

I found myself knowing exactly where the story was going but surprised that I was surprised by how I was led there (confusing right?). This film had a magic captured so well by the majority of 80s horror/fantasy films: it felt realistic in spite of its own absurdity. The Gate transported me back to a simpler time and I felt all the richer for it!

The Skinny: If you have a soft spot in your heart for the 80s (i.e. neon apparel, nonsensically styled hair, disturbingly trusting parents) then you owe it to yourself to go digging around the ol' back yard for this gem of a flick."

Things the RDHP Learned from “The Gate”:
-All heavy metal records end with satanic sermons
-Torturing moths is not cruel, it’s “neat”
-“Parents-out-of-town” teen parties always involve telling scary stories
-The Lee sisters make male children puke
-Kids should always know where Dad keeps his gun. They may need it to shoot a demon.
-The Bible can double as a high powered explosive
-Dancing with the family dog can kill it
-Special Edition DVD covers are so special they have characters on it that weren't in the movie:


Treasures buried in the RDHP’s Backyard:
-Golden nuggets
-Fidos 1-4
-"Killed in battle" G.I. Joes (Duke, your dying screams were pathetic)
-Pirate booty
-Stella's "Groove"
-XFL “He Hate Me” Jersey
-Jimmy Hoffa
-Unmailed love letters to Chelsea Clinton
-Radio Shack Tandy 1000 PC
-Two dozen hobo skulls

(Special note: Nick was feet away from meeting Chelsea Clinton as a wee lad in London, circa 1995, but he didn't have the guts to profess his love. Now his nights are filled with salty tears. Just kidding, Mel! (No, he's not kidding)

From Cuddly to Fugly:
Actor Stephen Dorff looked so cute in “The Gate,” portraying Glen as a pudgy sweetie pie. One look at his drug-rattled face today makes one cry for the ravages of time. That boy went from Cuddly to Fugly! In Stephen Dorff’s unfortunate honor, a list of other child stars who stopped being cute when their body hair began to sprout...

Stephen Dorff:
Cuddly :)


Fugly :(


The Olsen Twins:
Cuddly :)


 Fugly :(


Macaulay Culkin:
Cuddly :)


Fugly :(


Screech:
Cuddly :)


Fugly :(


Zack and Cody:
Cuddly :)



Fugly :(



Haley Joel Osment:
Cuddly :)


Fugly :(


Danny Bonaduce:
Cuddly :)


Fugly :(


Rainbow Bright:
Cuddly :)


Fugly :(




Quote of the Viewing:
[Glen and Terry harass big sister Al’s friends, saying how gross girls are.]
Nick and Chris in pre-teen squeak voice:
“Ohhh man. Teen girls just have cooties falling out the ying-yang, Terry!”




Cliché Quote of the Viewing:
Chris: “Damn, that is a lot of evil coming out of that hole.”
Nick: “That’s what she said.”